In fact, we were about at eye level with the very top of the stage, where a screen displays English subtitle translation of what the performers are singing. We were sitting in the mezzanine level, which is a couple of levels up from the orchestra/floor level and a couple of levels below the highest seating at the Winspear Opera House. My family and I attended one of last week’s shows, too, so I’ll give you my off-the-cuff impressions. You can read her review of the performance by clicking here and scrolling down to the comments.Īlso, one of our regular Back Talk readers (CitizenKane) asked about the opera house and the acoustics. Angie Parra was the winner, and pictured with her is Nicolas Camacho.

From the acoustics to the views, the Margot and Bill Winspear Opera House is a reinterpretation that sets the standard for what an opera house should be in the twenty-first century.Our ‘Otello’ ticket winner from this week’s Back Talk contest was kind enough to send along a photo from last week’s performance. A horseshoe plan ensures the audience is as close as possible to the stage, and materials throughout improve the resonance of the human voice. Once inside, the auditorium creates a sense of intimacy with the performers. The 60-foot glass façade similarly reinforces a relationship between the opera house and the city-dramatic views of McDermott Performance Hall and the Grand Lobby are visible from the exterior while sweeping views of downtown Dallas and portions of Uptown are visible from the interior. This canopy also creates a major public space for the Performing Arts District of Dallas. That idea guided the design of this innovative theatrical facility.Īn extending solar canopy breaks down the barrier between inside and outside and establishes a direct relationship between the two. The idea was that a modern opera house could remove the barriers of the traditional operatic experience and increase accessibility to the arts. What is the nature of the opera house in the twenty-first century?įor the Dallas Opera, the answer was simple: the building shouldn’t only play a central role in the cultural life of Dallas, but be a destination in its own right.

Best seats winspear opera house